What I tend to do in addition is place an oval around the whole face-plate area which makes a similar side-plane curve as in Steves example. I get what he's pointing out but I tend to put that line in as you have because it better indicates the cheek bone running back to where it's connected with the jaw and where it scoops around the orbital bone around the eye socket. I would politely disagree with Steve's comment regarding the cheek bone rhythm line.
There's one or two on your sheet where the brow and nose lines deviate from each other. One note: be careful to keep your division lines (brow, nose, mouth) in proper perspective with the angle and to each other. You seem capable of turning the form in space very well.
Hi Dreux, these are looking pretty good - not flat at all.
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